NAME
Nama - Ecasound-based recorder, mixer and mastering system
SYNOPSIS
nama [options] [project_name]
DESCRIPTION
Nama is an application for multitrack recording, non-destructive editing, mixing and mastering using the Ecasound audio engine developed by Kai Vehmanen. Primarily text-based, it also has a simple Tk based GUI.
Features include tracks with multiple WAV versions (AKA takes), buses, effects, presets, sends, inserts, marks, regions, edits, templates and user-defined commands. Nama runs under JACK and ALSA audio frameworks, automatically detects LADSPA plugins, and supports Ladish Level 1 session handling.
Nama's audio processing is non-destructive by default: effects are applied in realtime; edits are accomplished through crossfades. These modifications to a track can be "frozen" as a new version for that track.
The command prompt accepts Nama commands, Ecasound interactive-mode commands, shell commands and perl code, providing command history and autocompletion. The help system covers internal commands and LADSPA effects and includes keyword search.
By default, Nama displays a simple graphic interface while the command processor runs in a terminal window. The -t option provides a text-only interface for console users.
OPTIONS
- --gui, -g
-
Start Nama in GUI mode
- --text, -t
-
Start Nama in text mode
- --config, -f
-
Specify configuration file (default: ~/.namarc)
- --project-root, -d
-
Specify project root directory
- --create-project, -c
-
Create project if it doesn't exist
- --net-eci, -n
-
Use Ecasound's Net-ECI interface
- --libecasoundc, -l
-
Use Ecasound's libecasoundc interface
- --save-alsa, -a
-
Save/restore alsa state with project data
- --help, -h
-
This help display
Debugging options:
- --no-static-effects-data, -s
-
Don't load effects data
- --no-state, -m
-
Don't load project state
- --no-static-effects-cache, -e
-
Bypass effects data cache
- --regenerate-effects-cache, -r
-
Regenerate the effects data cache
- --no-reconfigure-engine, -R
-
Don't automatically configure engine
- --debugging-output, -D
-
Emit debugging information
- --fake-jack, -J
-
Simulate JACK environment
- --fake-alsa, -A
-
Simulate ALSA environment
- --no-ecasound, -E
-
Don't spawn Ecasound process
- --execute-command, -X
-
Supply a command to execute
CONTROLLING NAMA/ECASOUND
The Ecasound audio engine is configured through use of chain setups that specify the signal processing network. After lauching the engine, realtime control capabilities are available, for example to adjust signal volume and to set playback position.
Nama serves as an intermediary, taking high-level commands from the user, generating appropriate chain setups for recording, playback, mixing, etc. and running the audio engine.
STATIC COMMANDS
Static commands affect future runs of the audio engine. For example, rec, mon and off determine whether the current track will get its audio stream from a live source or whether an existing WAV file will be played back. Nama responds to static commands by automatically reconfiguring the engine and displaying the updated track status.
DYNAMIC COMMANDS
Once a chain setup is loaded and the engine is launched, another set of commands controls the realtime behavior of the audio processing engine. Commonly used dynamic commands include transport start
and stop
, playback repositioning commands such forward
, rewind
and setpos
. Effects may be added, modified or removed while the engine is running.
CONFIGURATION
General configuration of sound devices and program options is performed by editing the .namarc file. On Nama's first run, a default version of .namarc is usually placed in the user's home directory.
Tk GRAPHICAL UI
Invoked by default if Tk is installed, this interface provides a subset of Nama's functionality on two windows, one for general control, the second for effects.
The main window has buttons for project create, load and save, for adding tracks and effects, and for setting the vol, pan and record status of each track.
The GUI project name bar and time display change color to indicate whether the upcoming operation will include live recording (red), mixdown only (yellow) or playback only (green). Live recording and mixdown can take place simultaneously.
The effects window provides sliders for each effect parameters. Parameter range, defaults, and log/linear scaling hints are automatically detected. Text-entry widgets are used to enter parameters values for plugins without hinted ranges.
The command prompt appears in the terminal window during GUI operation. Text commands may be issued at any time.
TEXT UI
Press the Enter key if necessary to get the command prompt, which will look something like this:
nama [sax] ('h' for help)>
In this instance, 'sax' is the current track.
When using sub-buses, the bus is indicated before the track:
nama [Strings/violin] ('h' for help)>
At the prompt, you can enter Nama and Ecasound commands, Perl code preceded by eval
or shell code preceded by !
.
Multiple commands on a single line are allowed if delimited by semicolons. Usually the lines are split on semicolons and the parts are executed sequentially, however if the line begins with eval
or !
the entire line (up to double semicolons ';;' if present) will be given to the corresponding interpreter.
You can access command history using up-arrow/down-arrow.
Type help
for general help, help command
for help with command
, help foo
for help with commands containing the string foo
. help_effect foo bar
lists all plugins/presets/controller containing both foo and bar. Tab-completion is provided for Nama commands, Ecasound-iam commands, plugin/preset/controller names, and project names.
Many effects have abbreviations, such as 'afx' for 'add_effect'.
TRACKS
Each track has a descriptive name (i.e. vocal) and an integer track-number assigned when the track is created. New user tracks initially belong to the Main bus.
Track output signals are usually mixed and pass through the Master track on the way to soundcard for monitoring.
The following sections describes track attributes and their effects.
WIDTH
Specifying 'mono' means the track has one input channel, which will be recorded as a mono WAV file. Mono track signals are automatically duplicated to stereo and a pan effect is provided.
Specifying 'stereo' for a track means that two channels of audio input will be recorded as an interleaved stereo WAV file.
Specifying N channels for a track ('set width N') means N successive input channels will be recorded as an N-channel interleaved WAV file.
REC/MON/OFF
Track REC/MON/OFF status guides audio processing.
Each track, including Master and Mixdown, has its own REC/MON/OFF setting and displays its own REC/MON/OFF status. Each bus also has REC, MON and OFF settings that influence the behavior of user tracks.
Track status
As the name suggests, REC status indicates that a track is ready to record a WAV file.
MON status indicates an audio stream is available from disk. This status requires the presence of a file matching the bus or track version number, if specified. A track set to REC with no live input will default to MON status.
OFF status means that no audio is available for the track from any source. A track with no recorded WAV files will show OFF status, even if set to MON.
Bus setting
We describe the effect of Main bus REC/MON/OFF settings on member tracks. (Sub-bus settings have similar effects on their tracks.)
The Main bus REC setting does not limit user track status in any way.
The Main bus MON setting disables recording for member tracks. Track REC status is forced to MON if a WAV file is available, or OFF if no WAV file is available.
The Main bus OFF setting forces all user tracks to OFF status, causing them to be excluded from the chain setup. Note: This setting is distinct from the action of the mute
command, which sets the volume of the track to zero.
The Main bus MON mode triggers automatically after a successful recording run.
The mixplay command sets the Mixdown track to MON and the Main bus to OFF.
VERSION NUMBER
Multiple WAV files can be recorded for each track. These are distinguished by a version number that increments with each recording run, i.e. sax_1.wav, sax_2.wav, etc. All WAV files recorded in the same run have the same version numbers.
The version numbers of files for playback can be selected at the bus or track level. By setting the bus version to 5, you can play back version 5 of several tracks at once. Version 5 could signify the fifth take of a song, or the fifth song of a live recording session.
The track version setting, if present, overrides the bus setting. Setting the track version to zero restores control of the version number to the bus setting.
The Main bus version setting does not currently propagate to sub-buses. If you have sub-buses you must set bus version numbers for each separately if desired.
MARKS
Marks in Nama are similar to those in other audio editing software, with one small caveat: Mark positions are relative to the beginning of an Ecasound chain setup. If your project involves a single track, and you will be shortening the stream by setting a region to play, set any marks you need after defining the region.
REGIONS
The region
command allows you to define endpoints for a portion of an audio file. Use the shift
command to specify a delay for starting playback.
Only one region may be specified per track. To work around this limitation, use the new_region
command to clone a track, specifying a new region definition. You can then independently control volume and pan of this new region, apply effects, etc.
The link_track
command can clone tracks from other Nama projects.
EFFECTS
Each track gets volume and pan effects by default. New effects added using add_effect
are applied after pan volume controls. You can position effects anywhere you choose using insert_effect
.
FADERS
Nama allows you to place fades on any track. Fades are logarithmic, defined by a mark position and a duration. An initial volume operator, -eadb, is additionally applied to tracks as necessary to enable this function.
SENDS AND INSERTS
The send
command can route a track's post-fader output to a soundcard channel or JACK client in addition to the normal mixer input. Nama currently allows one aux send per track.
The add_insert
command configures a pre- or post-fader send-and-return to soundcard channels or JACK clients. Wet and dry signal paths are provided, with a default setting of 100% wet.
Each track can have one pre-fader and one post-fader insert.
BUNCHES
A bunch is just a list of track names. Bunch names are used with the keyword for
to apply one or more commands to to several tracks at once. A bunch can be created with the new_bunch
command. Any bus name can also be treated as a bunch. Finally, a number of special bunch keywords are available.
- rec, mon, off
-
All tracks with the corresponding setting in the current bus
- REC, MON, OFF
-
All tracks with the corresponding status in the current bus
BUSES
SUB BUSES
Sub buses enable multiple tracks to be routed through a single mix track before feeding the main mixer bus (or possibly another sub bus.)
The following commands create a sub bus and assign three tracks to it. The mix track takes the name of the bus and is stereo by default.
# create a bus named Strings feeding a mix track named Strings
add_sub_bus Strings
# create tracks for the sub-bus
add_tracks violin cello bass
# move the tracks from the Main bus (default) to the Strings bus
for violin cello bass; set bus Strings
# use the mix track to control bus output volume
Strings vol - 10
SEND BUSES
Send buses can be used as instrument monitors, or to send pre- or post-fader signals from multiple user tracks to an external program such as jconverter
ROUTING
General notes
While Nama can address tracks by either a name and a number, the chain setups use the track number exclusively.
The Master track (mixer output control) is always chain 1, the Mixdown track is always chain 2.
Nama uses Ecasound loop devices where necessary to connect two tracks, or to allow one track to have multiple inputs or outputs. Each loop device adds one buffer, which increases latency.
Flow diagrams
Let's examine the signal flow from track 3, the first available user track. Assume track 3 is named "sax".
We will divide the signal flow into track and mixer sections. Parentheses show the track number/name.
The stereo outputs of each user track terminate at Master_in, a loop device at the mixer input.
Track, REC status
Sound device --+---(3)----> Master_in
/JACK client |
+---(R3)---> sax_1.wav
REC status indicates that the source of the signal is the soundcard or JACK client. The input signal will be written directly to a file except in the special preview and doodle modes, or if rec_disable
is issued.
Track, MON status
sax_1.wav ------(3)----> Master_in
Mixer, with mixdown enabled
In the second part of the flow graph, the mixed signal is delivered to an output device through the Master chain, which can host effects. Usually the Master track provides final control before audio output or mixdown.
Master_in --(1)--> Master_out --+--------> Sound device
|
+-->(2)--> Mixdown_1.wav
Mastering Mode
In mastering mode (invoked by master_on
and released master_off
) the following network, receives the Master track signal as input and provides an output to the soundcard or WAV file.
+- Low -+
| |
------ Eq ----+- Mid -+--- Boost -> soundcard/wav_out
| |
+- High +
The Eq track hosts an equalizer.
The Low, Mid and High tracks each apply a bandpass filter, a compressor and a spatialiser.
The Boost track applies gain and a limiter.
These effects and their default parameters are defined in the configuration file .namarc.
Mixdown
The mixdown
command configures Nama for mixdown. The Mixdown track is set to REC (equivalent to Mixdown rec
) and the audio monitoring output is turned off (equivalent to main_off
).
Mixdown proceeds after you start the transport.
Preview and Doodle Modes
These non-recording modes, invoked by preview
and doodle
commands tweak the routing rules for special purposes. Preview mode disables recording of WAV files to disk. Doodle mode disables MON inputs while enabling only one REC track per signal source. The arm
command releases both preview and doodle modes.
Autosave
The save command is the usual way to save your work. Most settings are saved in the file State.yml in the current project directory.
When you type quit Nama will automatically save your work to State.yml. This will overwrite previous settings in State.yml. If you don't want this behavior, use Ctrl-C to exit Nama.
If you load a new project and there are unsaved changes, Nama will automatically save settings in a file tagged with the current date and time, for example, State-autosave-2010.09.20-15:32:05.
By specifying some number of minutes for the autosave_interval configuration variable in your .namarc file, Nama will save your settings periodically. However, Nama will not save settings while the engine is running.
To avoid creating duplicate files, the new settings file will be created only if it differs from the previous file.
Jack ports list file
Use source ports or source filename.ports to ask Nama to connect multiple JACK ports listed in a file (trackname.ports or filename.ports) to the input ports for that track, which will be set to ecasound:trackname_in_1 for mono. A stereo track will use ecasound:trackname_in_2 as well.
If the track is stereo, ports from the list are alternately connected to left and right channels. Larger numbers of channels are handled similarly.
Track edits
An edit is an audio clip associated with a particular track and version. The edit replaces part of the original WAV file, allowing you to fix wrong notes, or substitute one phrase for another.
Each track can host multiple edits. Edits are non-destructive; they are achieved by using Ecasound's ability to crossfade and sequence.
Select the track to be edited and the correct version.
Before creating the edit, you will now need to create three marks:
play start point =item * rec start point =item * rec end point
The edit will replace the audio between the rec start and rec end points.
There are two ways to set these points.
set_edit_points command
Position the playback head a few seconds before the edit. Enter the set_edit_points command. This will start the engine. Hit the P key three times to designate the playback start, punch-in and punch-out positions.
Specify points individually
Position the playback head at the position you want playback for the edit to start. Enter the set_play_start_mark command.
Use the same procedure to set the rec start and rec end positions using the set_rec_start_mark and set_rec_end_mark commands.
Provide marks as arguments to new_edit (not implemented)
Type new_edit play_start_mark rec_start_mark rec_end_mark.)
Create the edit
Enter the new_edit command to create the necessary tracks and data structures.
Use preview_edit to confirm the edit positions. The engine will run and you will hear the host track with the target region removed. Playback will be restricted to the edit region. You may use preview_out to hear the clip to be removed.
Use list_marks to see the edit marks and modify_mark to nudge them into perfect position.
Once you are satisfied with the mark positions, you are ready to record your edit.
Enter start_edit. Playback will begin at first mark. The replacement clip will be recorded from the source specified in the original track.
Each start_edit command will record an additional version on the edit track. redo_edit will delete (destructively) the most recent audio clip and begin recording anew.
You may specify another range for editing and use the editing procedure again as many times as you like. Edits may not overlap.
Merging edits
merge_edits will recursively merge all edits applied to the current track and version, creating a new version.
I recommend that you merge edits when you are satisfied, with the results to protect your edits against an accidental change in mark, region or version settings.
restore_edits acts on a merged version of the current track, selecting the prior unmerged version with all edits and region definitions in "live" form. You may continue to create new edits. TO BE IMPLEMENTED
list_edits will label the edits by index and time.
end_edit_mode will restore normal playback mode
destroy_edit Behind the scenes, the host track becomes the mix track to a sub-bus. Sources for the bus are the original audio track, and zero or more edits, each represented by one track object.
TEXT COMMANDS
Help commands
help (h) - Display help
help
[ <i_help_topic_index> | <s_help_topic_name> | <s_command_name> ]
help_effect (hfx he) - Display analyseplugin output if available or one-line help
help_effect
<s_label> | <i_unique_id>
find_effect (ffx fe) - Display one-line help for effects matching search strings
find_effect
<s_keyword1> [ <s_keyword2>... ]
General commands
exit (quit q) - Exit program, saving settings
exit
memoize - Enable WAV dir cache
memoize
unmemoize - Disable WAV dir cache
unmemoize
Transport commands
stop (s) - Stop transport
stop
start (t) - Start transport
start
getpos (gp) - Get current playhead position (seconds)
getpos
setpos (sp) - Set current playhead position
setpos
<f_position_seconds>
setpos 65 (set play position to 65 seconds from start)
forward (fw) - Move playback position forward
forward
<f_increment_seconds>
rewind (rw) - Move transport position backward
rewind
<f_increment_seconds>
to_start (beg) - Set playback head to start
to_start
to_end (end) - Set playback head to end minus 10 seconds
to_end
ecasound_start (T) - Ecasound-only start
ecasound_start
ecasound_stop (S) - Ecasound-only stop
ecasound_stop
preview - Start engine with rec_file disabled (for mic test, etc.)
preview
doodle - Start engine while monitoring REC-enabled inputs
doodle
Mix commands
mixdown (mxd) - Enable mixdown for subsequent engine runs
mixdown
mixplay (mxp) - Enable mixdown file playback, setting user tracks to OFF
mixplay
mixoff (mxo) - Set Mixdown track to OFF, user tracks to MON
mixoff
automix - Normalize track vol levels, then mixdown
automix
master_on (mr) - Enter mastering mode. Add tracks Eq, Low, Mid, High and Boost if necessary
master_on
master_off (mro) - Leave mastering mode
master_off
Track commands
add_track (add new) - Create a new track
add_track
<s_name> [ <s_key1> <s_val1> <s_key2> <s_val2>... ]
add_track clarinet group woodwinds
add_tracks (add new) - Create one or more new tracks
add_tracks
<s_name1> [ <s_name2>... ]
add_track sax violin tuba
link_track (link) - Create a read-only track that uses .WAV files from another track.
link_track
<s_name> <s_target> [ <s_project> ]
link_track intro Mixdown song_intro creates a track 'intro' using all .WAV versions from the Mixdown track of 'song_intro' project
import_audio (import) - Import a sound file (wav, ogg, mp3, etc.) to the current track, resampling if necessary.
import_audio
<s_wav_file_path> [i_frequency]
set_track - Directly set current track parameters (use with care!)
set_track
<s_track_field> value
rec - REC-enable current track
rec
mon (on) - Set current track to MON
mon
off (z) - Set current track to OFF (exclude from chain setup)
off
rec_defeat (rd) - Prevent writing a WAV file for current track
rec_defeat
rec_enable (re) - Allow writing a WAV file for current track
rec_enable
source (src r) - Set track source
source
<i_soundcard_channel> | 'null' (for metronome) | <s_jack_client_name> | <s_jack_port_name> | 'jack' (opens ports ecasound:trackname_in_N, connects ports listed in trackname.ports if present in project_root dir)
source "MPlayer [20120]:out_0"
send (out aux) - Set aux send
send
<i_soundcard_channel> (3 or above) | <s_jack_client_name>
remove_send (nosend rms) - Remove aux send
remove_send
stereo - Record two channels for current track
stereo
mono - Record one channel for current track
mono
set_version (version n ver) - Set track version number for monitoring (overrides group version setting)
set_version
<i_version_number>
sax; version 5; sh
destroy_current_wav - Unlink current track's selected WAV version (use with care!)
destroy_current_wav
list_versions (lver lv) - List version numbers of current track
list_versions
vol (v) - Set, modify or show current track volume
vol
[ [ + | - | * | / ] <f_value> ]
vol * 1.5 (multiply current volume setting by 1.5)
mute (c cut) - Mute current track volume
mute
unmute (C uncut) - Restore previous volume level
unmute
unity - Set current track volume to unity
unity
solo (sl) - Mute all but current track
solo
[track_name(s)] [bunch_name(s)]
nosolo (nsl) - Release solo, previously muted tracks are still muted
nosolo
all - Release solo, unmuting all tracks
all
pan (p) - Get/set current track pan position
pan
[ <f_value> ]
pan_right (pr) - Pan current track fully right
pan_right
pan_left (pl) - Pan current track fully left
pan_left
pan_center (pc) - Set pan center
pan_center
pan_back (pb) - Restore current track pan setting prior to pan_left, pan_right or pan_center
pan_back
show_tracks (lt) - Show track status
show_tracks
show_tracks_all (show sha showa) - Show status of all tracks, visible and hidden
show_tracks_all
show_bus_tracks (shb) - Show tracks in current bus
show_bus_tracks
show_track (sh) - Show current track status
show_track
Setup commands
show_mode (shm) - Show current record/playback modes
show_mode
Track commands
set_region (srg) - Specify a playback region for the current track using marks. Use 'new_region' for multiple regions.
set_region
<s_start_mark_name> <s_end_mark_name>
new_region (nrg) - Create a region for the current track using an auxiliary track
new_region
<s_start_mark_name> <s_end_mark_name> [<s_region_name>]
remove_region (rrg) - Remove region (including associated auxiliary track)
remove_region
shift_track (shift playat pat) - Set playback delay for track or region
shift_track
<s_start_mark_name> | <i_start_mark_index | <f_start_seconds>
unshift_track (unshift) - Remove playback delay for track or region
unshift_track
modifiers (mods mod) - Set/show modifiers for current track (man ecasound for details)
modifiers
[ Audio file sequencing parameters ]
modifiers select 5 15.2
nomodifiers (nomods nomod) - Remove modifiers from current track
nomodifiers
normalize (norm ecanormalize) - Apply ecanormalize to current track version
normalize
fixdc (ecafixdc) - Apply ecafixdc to current track version
fixdc
autofix_tracks (autofix) - Fixdc and normalize selected versions of all MON tracks
autofix_tracks
remove_track - Remove effects, parameters and GUI for current track
remove_track
Bus commands
bus_rec (brec grec) - Rec-enable bus tracks
bus_rec
bus_mon (bmon gmon) - Set group-mon mode for bus tracks
bus_mon
bus_off (boff goff) - Set group-off mode for bus tracks
bus_off
Group commands
bus_version (bn bver bv gver gn gv) - Set default monitoring version for tracks in current bus
bus_version
new_bunch (nb) - Define a bunch of tracks
new_bunch
<s_group_name> [<s_track1> <s_track2>...]
list_bunches (lb) - List track bunches
list_bunches
remove_bunches (rb) - Remove the definition of a track bunch
remove_bunches
<s_bunch_name> [<s_bunch_name>...]
add_to_bunch (ab) - Add track(s) to a bunch
add_to_bunch
<s_bunch_name> <s_track1> [<s_track2>...]
Project commands
save_state (keep save) - Save project settings to disk
save_state
[ <s_settings_file> ]
get_state (recall retrieve) - Retrieve project settings
get_state
[ <s_settings_file> ]
list_projects (lp) - List projects
list_projects
create_project (create) - Create a new project
create_project
<s_new_project_name>
load_project (load) - Load an existing project using last saved state
load_project
<s_project_name>
project_name (project name) - Show current project name
project_name
new_project_template (npt) - Make a project template based on current project
new_project_template
<s_template_name> [<s_template_description>]
use_project_template (upt apt) - Use a template to create tracks in a newly created, empty project
use_project_template
<s_template_name>
list_project_templates (lpt) - List project templates
list_project_templates
remove_project_template (rpt dpt) - Remove one or more project templates
remove_project_template
<s_template_name1> [<s_template_name2>... ]
Setup commands
generate (gen) - Generate chain setup for audio processing
generate
arm - Generate and connect chain setup
arm
connect (con) - Connect chain setup
connect
disconnect (dcon) - Disconnect chain setup
disconnect
show_chain_setup (chains) - Show current Ecasound chain setup
show_chain_setup
loop_enable (loop) - Loop playback between two points
loop_enable
<start> <end> (start, end: mark names, mark indices, decimal seconds)
loop_enable 1.5 10.0 ; loop between 1.5 and 10.0 seconds loop_enable 1 5 ; loop between mark indices 1 and 5 loop_enable start end ; loop between mark ids 'start' and 'end'
loop_disable (noloop nl) - Disable automatic looping
loop_disable
Effect commands
add_controller (acl) - Add a controller to an operator (current operator, by default) use mfx to modify, rfx to remove)
add_controller
[<s_operator_id>] <s_effect_code> [ <f_param1> <f_param2>...]
add_effect (afx) - Add effect to the end of current track
add_effect
<s_effect_code> [ <f_param1> <f_param2>... ]
add_effect amp 6 ; LADSPA Simple amp 6dB gain add_effect var_dali ; preset var_dali. Note that you don't need ; Ecasound's el: or pn: prefix
insert_effect (ifx) - Place effect before specified effect (engine stopped, prior to arm only)
insert_effect
<s_insert_point_id> <s_effect_code> [ <f_param1> <f_param2>... ]
modify_effect (mfx modify_controller mcl) - Modify an effect parameter
modify_effect
<s_effect_id> <i_parameter> [ + | - | * | / ] <f_value>
modify_effect V 1 -1 ; set effect_id V, parameter 1 to -1 modify_effect V 1 - 10 ; reduce effect_id V, parameter 1 by 10 modify_effect V 1,2,3 + 0.5 ; modify multiple parameters modify_effect V,AC,AD 1,2 3.14 ; set multiple effects/parameters
remove_effect (rfx remove_controller rcl) - Remove effects from selected track
remove_effect
<s_effect_id1> [ <s_effect_id2>...]
position_effect (pfx) - Position an effect before another effect (use 'ZZZ' for end)
position_effect
[<s_effect_id>]
show_effect (sfx) - Show effect information
show_effect
<s_effect_id1> [ <s_effect_id2>...]
add_insert (ain) - Add an external send/return to current track
add_insert
( pre | post ) <s_send_id> [<s_return_id>]
set_insert_wetness (wet) - Set wet/dry balance for current track insert: 100 = all wet, 0 = all dry
set_insert_wetness
[ pre | post ] <n_wetness>
remove_insert (rin) - Remove an insert from the current track
remove_insert
[ pre | post ]
ctrl_register (crg) - List Ecasound controllers
ctrl_register
preset_register (prg) - List Ecasound presets
preset_register
ladspa_register (lrg) - List LADSPA plugins
ladspa_register
Mark commands
list_marks (lmk lm) - List all marks
list_marks
to_mark (tmk tom) - Move playhead to named mark or mark index
to_mark
<s_mark_id> | <i_mark_index>
to_mark start (go to mark named 'start')
new_mark (mark k) - Drop mark at current playback position
new_mark
[ <s_mark_id> ]
remove_mark (rmk rom) - Remove mark, default to current mark
remove_mark
[ <s_mark_id> | <i_mark_index> ]
remove_mark start (remove mark named 'start')
next_mark (nmk nm) - Move playback head to next mark
next_mark
previous_mark (pmk pm) - Move playback head to previous mark
previous_mark
name_mark (nmk nom) - Give a name to the current mark
name_mark
<s_mark_id>
name_mark start
modify_mark (move_mark mmk mm) - Change the time setting of current mark
modify_mark
[ + | - ] <f_seconds>
Diagnostics commands
engine_status (egs) - Display Ecasound audio processing engine status
engine_status
dump_track (dumpt dump) - Dump current track data
dump_track
dump_group (dumpgroup dumpg) - Dump group settings for user tracks
dump_group
dump_all (dumpall dumpa) - Dump most internal state
dump_all
show_io (showio) - Show chain inputs and outputs
show_io
Help commands
list_history (lh) - List command history
list_history
Bus commands
add_send_bus_cooked (asbc) - Add a send bus that copies all user tracks' processed signals
add_send_bus_cooked
<s_name> <destination>
asbc Reverb jconv
add_send_bus_raw (asbr) - Add a send bus that copies all user tracks' raw signals
add_send_bus_raw
<s_name> <destination>
asbr Reverb jconv
add_sub_bus (asub) - Add a sub bus (default destination: to mixer via eponymous track)
add_sub_bus
<s_name> [destination: s_track_name|s_jack_client|n_soundcard channel]
asub Strings_bus asub Strings_bus some_jack_client
update_send_bus (usb) - Include tracks added since send bus was created
update_send_bus
<s_name>
usb Some_bus
remove_bus - Remove a bus
remove_bus
<s_bus_name>
list_buses (lbs) - List buses and their parameters TODO
list_buses
set_bus (sbs) - Set bus parameters
set_bus
<s_busname> <key> <val>
Effect commands
new_effect_chain (nec) - Define a reusable sequence of effects (effect chain) with current parameters
new_effect_chain
<s_name> [<op1>, <op2>,...]
add_effect_chain (aec) - Add an effect chain to the current track
add_effect_chain
<s_name>
overwrite_effect_chain (oec) - Add an effect chain overwriting current effects (which are pushed onto stack)
overwrite_effect_chain
<s_name>
delete_effect_chain (dec) - Delete an effect chain definition from the list
delete_effect_chain
<s_name>
list_effect_chains (lec) - List effect chains, matching any strings provided
list_effect_chains
[<s_frag1> <s_frag2>... ]
bypass_effects (bypass bye) - Bypass track effects (pushing them onto stack) except vol/pan
bypass_effects
restore_effects (restore ref) - Restore bypassed track effects
restore_effects
new_effect_profile (nep) - Create a named group of effect chains for multiple tracks
new_effect_profile
<s_bunch_name> [<s_effect_profile_name>]
apply_effect_profile (aep) - Use an effect profile to overwrite effects of multiple tracks
apply_effect_profile
<s_effect_profile_name>
overlay_effect_profile (oep) - Use an effect profile to add effects to multiple tracks
overlay_effect_profile
<s_effect_profile_name>
delete_effect_profile (dep) - Remove an effect chain bunch definition
delete_effect_profile
<s_effect_profile_name>
list_effect_profiles (lep) - List effect chain bunches
list_effect_profiles
Track commands
cache_track (cache ct) - Store an effects-processed track signal as a new version
cache_track
[<f_additional_processing_time>]
Effect commands
uncache_track (uncache unc) - Select the uncached track version; restores effects (but not inserts)
uncache_track
General commands
do_script (do) - Execute Nama commands from a file in project_dir or project_root
do_script
<s_filename>
scan - Re-read project's .wav directory
scan
Effect commands
add_fade (afd fade) - Add a fade-in or fade-out to current track
add_fade
in|out marks/times (see examples)
fade in mark1 ; fade in default 0.5s starting at mark1 fade out mark2 2 ; fade out over 2s starting at mark2 fade out 2 mark2 ; fade out over 2s ending at mark2 fade out mark1 mark2 ; fade out from mark1 to mark2
remove_fade (rfd) - Remove a fade from the current track
remove_fade
<i_fade_index1> [<i_fade_index2>...]
list_fade (lfd) - List fades
list_fade
Track commands
add_comment (comment ac) - Add comment to current track (replacing any previous comment)
add_comment
remove_comment (rc) - Remove comment from current track
remove_comment
show_comment (sc) - Show comment for current track
show_comment
show_comments (scs) - Show all track comments
show_comments
add_version_comment (comment avc) - Add version comment (replacing any previous user comment)
add_version_comment
remove_version_comment (rvc) - Remove version comment(s) from current track
remove_version_comment
show_version_comment (svc) - Show version comment(s)
show_version_comment
show_version_comments_all (svca) - Show all version comments for current track
show_version_comments_all
set_system_version_comment (comment ssvc) - Set system version comment (for testing only)
set_system_version_comment
Midi commands
midish_command (m) - Send command text to 'midish' MIDI sequencer shell
midish_command
<s_command_text>
Edit commands
new_edit (ned) - Create an edit for the current track and version
new_edit
set_edit_points (sep) - Mark play-start, record-start and record-end positions
set_edit_points
list_edits (led) - List edits for current track and version
list_edits
select_edit (sed) - Select an edit to modify or delete, becomes current edit
select_edit
<i_edit_index>
end_edit_mode (eem) - Current track plays full length (input from edit sub-bus)
end_edit_mode
destroy_edit - Remove an edit and all associated WAV files (destructive)
destroy_edit
[<i_edit_index>] (defaults to current edit)
preview_edit_in (pei) - Play the track region without the edit segment
preview_edit_in
preview_edit_out (peo) - Play the removed edit segment
preview_edit_out
play_edit (ped) - Play a completed edit
play_edit
record_edit (red) - Record a WAV file for the current edit
record_edit
edit_track (et) - Set the edit track as current track
edit_track
host_track_alias (hta) - Set the host track alias as the current track
host_track_alias
host_track (ht) - Set the host track (edit sub-bus mix track) as the current track
host_track
version_mix_track (vmt) - Set the version mix track as the current track
version_mix_track
play_start_mark (psm) - Select (and move to) play start mark
play_start_mark
rec_start_mark (rsm) - Select (and move to) rec start mark
rec_start_mark
rec_end_mark (rem) - Select (and move to) rec end mark
rec_end_mark
set_play_start_mark (spsm) - Set play_start_mark to current engine position
set_play_start_mark
set_rec_start_mark (srsm) - Set rec_start_mark to current engine position
set_rec_start_mark
set_rec_end_mark (srem) - Set rec_end_mark to current engine position
set_rec_end_mark
disable_edits (ded) - Disable editing sub-bus, restore standard track behavior
disable_edits
merge_edits (med) - Mix edits and original into a new host-track WAV version
merge_edits
Track commands
explode_track - Make track into a sub-bus, with one track for each version
explode_track
move_to_bus (mtb) - Move current track to another bus
move_to_bus
<s_bus_name>
promote_version_to_track (pvt) - Create a read-only track using specified version of current track
promote_version_to_track
<i_version_number>
General commands
read_user_customizations (ruc) - Re-read user customizations file 'custom.pl'
read_user_customizations
Setup commands
limit_run_time (lrt) - Stop recording after last WAV file finishes playing
limit_run_time
[<f_additional_seconds>]
limit_run_time_off (lro) - Disable recording stop timer
limit_run_time_off
offset_run (ofr) - Record/play from mark position
offset_run
<s_mark_name>
offset_run_off (ofo) - Clear offset run mode
offset_run_off
DIAGNOSTICS
On any change in setup, the GUI display updates and show_tracks
command is executed automatically showing what to expect the next time the engine is started.
You can use the chains
command to verify the Ecasound chain setup. (The Ecasound command cs-save-as mysetup.ecs
will additionally store all engine data, effects as well as routing.)
The dump
command displays data for the current track. The dumpall
command shows all state that would be saved.
This is the same output that is written to the State.yml file when you issue the save
command.
BUGS AND LIMITATIONS
No waveform or signal level displays are provided.
No latency compensation across signal paths is provided at present, although this feature is planned.
SECURITY CONCERNS
If you are using Nama with the NetECI interface (i.e. if Audio::Ecasound is not installed) you should block TCP port 2868 if your computer is exposed to the Internet.
INSTALLATION
The following command, available on Unixlike systems with Perl installed, will pull in Nama and other Perl libraries required for text mode operation:
PERL_MM_USE_DEFAULT=1 cpan Audio::Nama
To use the GUI, you will need to install Tk:
cpan Tk
You may want to install Audio::Ecasound if you prefer not to run Ecasound in server mode:
cpan Audio::Ecasound
You can pull the source code as follows:
git clone git://github.com/bolangi/nama.git
Consult the BUILD file for build instructions.
SUPPORT
The Ecasound mailing list is a suitable forum for questions regarding Nama installation, usage, feature requests, etc., as well as questions relating to Ecasound itself.
https://lists.sourceforge.net/lists/listinfo/ecasound-list
PATCHES
The main module, Nama.pm, and its sister modules are concatenations of several source files. Patches against these source files are preferred.
AUTHOR
Joel Roth, <joelz@pobox.com>
COPYRIGHT & LICENSE
Copyright (c) 2009-2010 by Joel Roth.
This is free software; you can redistribute it and/or modify it under the terms of the Artistic License, version 2.0.